I was fairly young when Gimme a Break was on TV, but I was glued to Nell Carter’s directness and what some would call, sassy love towards her family. I lived and died for each time she sang a song on the show. I was drawn to her, but had no idea why (well, you know, besides the fact that even at the age of 10 I was theatre fag in the making).
What I also didn’t know at the time was that the role of Effie White in the musical “Dreamgirls” was originally written for Nell Carter.
I also didn’t know that she won a Tony for her role in “Ain’t Misbehavin’”
I also didn’t know that it was Nell Carter who performed the song “White Boys” in the movie version of Hair.
I also didn’t know that, during a visit to New York 15 or so years later I would go to Feinstein’s and watch Nell Carter perform and affect me in a way that no other performer ever has.
In that intimate cabaret, she made me feel safe and connected and special. None of which I had felt for most of my life.
I wanted to write her a letter to thank her for a moving performance, but I also didn’t know that Nell Carter would die before I ever put pen to paper.
What I also didn’t know at the time was that the role of Effie White in the musical “Dreamgirls” was originally written for Nell Carter.
I also didn’t know that she won a Tony for her role in “Ain’t Misbehavin’”
I also didn’t know that it was Nell Carter who performed the song “White Boys” in the movie version of Hair.
I also didn’t know that, during a visit to New York 15 or so years later I would go to Feinstein’s and watch Nell Carter perform and affect me in a way that no other performer ever has.
In that intimate cabaret, she made me feel safe and connected and special. None of which I had felt for most of my life.
I wanted to write her a letter to thank her for a moving performance, but I also didn’t know that Nell Carter would die before I ever put pen to paper.
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